AVANTASIA – Here Be Dragons

(Napalm)

Rating: 7.5

Swagger mixed with whimsy and wonder. This is how Tobi got his groove back. Outside of a few months on Moonglow, the last two Avantasia forays have withered in stagnation. Instead of focusing on a story, running with a general theme on Here Be Dragons allows for Tobias to spread his wings and showcase confidence, fun arrogance (one of the few that can pull it off), and his oddball humor.

With the usual suspects returning, it’s the new faces that leave the biggest impression. Tobias out Kamelot’s Kamelot on the Tommy Karevik guested “The Witch” and former Kamelot voice Roy Khan brings a majesty to the sentimental, schmaltzy closer “Everybody’s Here Until The End”. The stunning “Avalon” is a catchy, folky tune utilizes the brilliant talent of Seven Spires’ Adrienne Cowan. It reminds of “Farewell” from the first Avantasia album.

“Against The Wind” is classic Tobias, a speedster about doing what you want and going against the grain. H.E.A.T.’s Kenny Leckremo does a great job with his vibrant grit on the track. Helloween’s Michael Kiske of course is back at “The Moorland At Twilight” showcases the fantastical whimsy and humor that’s sorely been missing.

First single and opener “Creepshow” was an interesting choice. It’s hard rock, simple Tobi and quite frankly is not one of his best, but the fun carnival element to it is appreciated. Always nice to hear Bob Catley and it’s a tribute written for late Magnum member Tony Clarkin. It pulls at the heartstrings and possesses an ‘80s aesthetic, however it does not quite the feel of the album.

Credit to Tobi is given for grabbing the strengths of Geoff Tate on the longest track, the almost 9 minute “Here Be Dragons”, an atmospheric slow burn with a big chorus. There’s also a heartfelt attempt to recreate the Hellfire Club mentality on “Unleash The Kraken” with a one of the heaviest riffs in the middle section and a quick hooray with the Ronnie Atkins guested “Phantasmagoria”.

It warms the heart hearing Tobias having fun again. His voice is not what it used to be and can’t quite the highs like he’s known for, but there is still power and gusto in his delivery. While not possessing the highs like “The Raven Child” or “Book Of Shallows”; Here Be Dragons is a consistent and endearing listen.

Now, how about some Edguy?