During this year’s 70000 Tons Of Metal cruise, guitarist Waclaw “Vogg” Kieltyka of Polish extreme metal veterans DECAPITATED was asked by the Brutally Delicious podcast if there are any plans for him and his bandmates to release new music. He responded (as transcribed by BLABBERMOUTH.NET): “Yeah, I’m working on it. I’m working on the new songs. I have already, let’s say 50%, I guess, of the new DECAPITATED record. And, yeah, after this [‘Nihility Across America’ 2025] tour I’m gonna continue, because sometimes I’ve been working [on] new ideas on tour, but I don’t really like it, because it’s just not a place to focus on ideas. It’s a mess — people are running around, it’s, like, soundcheck and then you need to go out and look for food. It’s not really a place to focus [on writing music].”
Elaborating on how he usually writes music, Vogg said: “I’m working at home. I have my room, so I can separate from the family, from kids. But still I can hear them. So it’s not maybe perfect place, but I learned during the years. I already made, I think, four albums at home, with the small kids, with the family life, all these things, which I needed to somehow learn how to take my head out of the [everyday life]. But after the tour I have a plan to just go to our rehearsal space and just work on the material there, to be completely out of everything, separated. And I believe it will work well for that.”
Asked if he approaches writing a new album with a theme in mind or a topic or if he just kind of sees where it ends up, Vogg said: “Something like [the latter]. Yeah. Anything can inspire me. And just hunting, fishing for the riff. I just spend time with guitar, playing and listening what’s going on. And then suddenly, ‘Oh, maybe this is gonna be a good idea.’ And then work around this and add new ideas around. It’s a long process.
“It’s weird, because I’m performing,” he continued. “I’m a guitar player, so I’m an instrumental guy. Plus I’m composing the stuff. I’m performing on stage. It’s a few things you need to connect. And it’s not that easy, and you need to find the time for this, for this. Also, I need to practice a lot to keep in shape myself, and it’s not possible. If you play DECAPITATED, you can’t stop to practice. You can stop practice for one week, but then you need to practice even more to go on stage and perform this kind of stuff.”
Regarding how much time he spends “trying not to rewrite” his previous records, Vogg said: “I don’t really think about it. And actually every DECAPITATED record is different… I don’t have to [put much effort into making sure they’re not the same kind of ideas as what we’ve done in the past]. Somehow it becomes naturally that it’s different.
“I had a moment that I was in trouble because I thought it’s, like, this is something like a completely different band right now, and what would be the reaction for the fans? Like how [would] they take it?
“Every record is different, but with ‘Blood Mantra’, for example, we started to do something really different, something groovy, something thrashy — I don’t know,” he added. “And [our] new record will be, I think, also bringing in new, fresh ideas, which will be surprising [to fans]. And you know what? It always worked that way. You play traditional kind of classic death metal, and then [come out] with an album which is different — it’s modern, it’s completely alternative to that. And you can see some kind of voices that, ‘This is not the band anymore. I don’t like it. I’m quitting to be your fan.’ And then after five or eight or ten years, these people are, like, ‘Oh, this album is like your classic. It’s the best album.’ It’s like — I don’t know — when METALLICA released the ‘Load’ album, or SEPULTURA released ‘Roots Bloody Roots’, I was, like, ‘That’s it. I’m done with this band.’ And then right now, it’s, like, ‘Holy shit. It’s a good jam.'”
Last month, DECAPITATED released two new performance videos, featuring the tracks “Names” and “Eternity Too Short”. The clips were filmed live from the band’s rehearsal room.
“Names” and “Eternity Too Short” are both seminal tracks from DECAPITATED‘s acclaimed album “Nihility”, which is being played in its entirety on the current tour.
The tour is covering 23 cities in the United States and Canada, concluding on March 2 in Santa Ana, California. Fans can look forward to an electrifying lineup with DECAPITATED headlining, supported by the formidable talents of INCANTATION and DARKEST HOUR, with EXMORTUS opening each night.
Last October, DECAPITATED announced that it had parted ways with vocalist Rafał “Rasta” Piotrowski and replaced him with Eemeli Bodde of Finnish metallers MORS SUBITA.
Bodde made his live debut with DECAPITATED on November 1, 2024 at Damnation Festival‘s “A Night Of Salvation” at BEC Arena in Manchester, United Kingdom. Also joining DECAPITATED at the gig for several “classic” tracks was the group’s original vocalist Wojciech “Sauron” Wąsowicz, who was previously a member of DECAPITATED between 1996 and 2005.
Across eight studio albums, DECAPITATED grew from the adolescent dream of teenagers from a small Central European town to one of the leaders of the metal genre. Each successive album further expands the band’s sound with genre-bending authenticity and integrity. As Metal Injection rightfully observed, “any self-respecting death metalhead knows the name well.” Like a rose in the devil’s garden, the DECAPITATED story builds triumph from tragedy. The gleeful grotesquery of extreme metal imagery and riff-tastic bludgeoning beckons listeners to uncover broader truths.
Their latest studio album, “Cancer Culture”, was released in 2022, with instantly recognizable devastation and deceptively sinister hooks abound. Newly minted DECAPITATED anthems like “Last Supper”, “Hello Death”, “Just A Cigarette”, “No Cure”, “Iconoclast” and “Cancer Culture” shimmer with sonically sharp production and unrelenting bombast. There’s also a newly increased emphasis on melody, even venturing into darkly romantic territory. JINJER vocalist Tatiana Shmayluk and MACHINE HEAD frontman Robb Flynn make impressive guest appearances. Flynn contributes a hauntingly beautiful vocal to the “Cancer Culture” track “Iconoclast”, with Shmayluk, a formidable screamer, going the clean vocal route on track “Hello Death”.
Source: blabbermouth.net
