Right from the opening track, “love u,” it’s clear that Luna Kills isn’t here to play nice. What might initially seem like a love song title is anything but—a vicious, hook-laden assault where frontwoman Lotta Ruutiainen flips between hauntingly smooth melodies and a scathing fry scream that hits like a gut punch. The album charges forward with “LEECH,” a synth-infused banger that blends crushing riffs with anthemic choruses, setting the stage for “SADIST,” an ominous and menacing track that thrives on its unpredictable vocal shifts.
One of the album’s most intriguing aspects is its dynamic range. “sugar rush” takes a deceptively playful turn, offering a twisted, high-energy burst that feels like a hyperactive fever dream. It provides a stark contrast to the downright vicious “slay ur enemies,” a track that pulses with adrenaline, its breakdowns tailor-made for the pit. Meanwhile, “hallucinate” plunges into eerie, atmospheric territory before erupting into a wall of sound, showcasing the band’s penchant for balancing beauty with brutality.
“WAVES” introduces a heavier dose of electronic elements, lulling listeners into a trance before detonating into a massive crescendo. Then there’s “get mad,” which is as straightforward as its title suggests—a pure, unfiltered rage anthem brimming with venomous energy. Finally, “burn the world with me” delivers a fittingly apocalyptic conclusion, with jagged riffs, towering synths, and a finale that leaves no survivors.
A major highlight of Deathmatch is Lotta’s vocal prowess. Her background in jazz lends an unexpected sophistication to her clean melodies, but it’s her transition into throat-shredding screams that truly sets her apart. There are echoes of Taylor Momsen’s sultry croon here, but when she lets loose, she roars with a ferocity that demands attention. Backed by a trio of razor-sharp musicians, the band achieves a level of cohesion that feels both polished and organic.
Beyond the music itself, Luna Kills’ presence in the gaming world—most notably through their feature in the hit mobile game Beatstar—highlights their ability to bridge the gap between metal and electronic culture. Their embrace of cybernetic textures within their sound makes Deathmatch feel cinematic, like the soundtrack to a dystopian battleground where the only rule is to survive.
While elements of alternative and nu-metal may not appeal to everyone, Luna Kills has crafted something that transcends genre boundaries. The combination of their aggressive instrumentals, infectious melodies, and cyber-inspired atmosphere makes this album a must-listen, even for skeptics. Deathmatch is loud, unapologetic, and thrilling from start to finish—a statement piece from a band that’s clearly here to stay.
Source: www.antiheromagazine.com
