NIGHTFALL – Children of Eve - Greek Legends Deliver Their Darkest and Most Defiant Album Yet

“Children of Eve is NIGHTFALL’s monumentum—blackened, battered, and beautifully human.”

NIGHTFALL
Children of Eve For more than three decades, NIGHTFALL has stood as one of the key architects of the Hellenic metal scene, casting a long and often underappreciated shadow over the global underground. With Children of Eve, their eleventh studio album and second release since their resurrection in 2020, the Greek veterans reaffirm not only their legacy but also their relevance. Blending blackened fury with gothic grandeur and philosophical gravitas, NIGHTFALL has created a modern opus that is both unflinchingly aggressive and unexpectedly soulful.

From the opening toll of “I Hate,” Children of Eve presents itself not as a simple collection of songs, but as a conceptual arc—a meditation on pain, rebellion, and the burden of belief. Frontman and founding member Efthimis Karadimas sets the tone with venomous growls that ride atop a wall of dense riffing, choir-backed choruses, and thunderous double bass. “I hate the cannibal lurking inside my head,” a female voice intones, threading the tracklist together into a foreboding mantra. What follows is 43 minutes of musical exorcism that rarely relents in intensity but often surprises in its emotional depth.

Thematically, Children of Eve is both deeply personal and defiantly political. Drawing from Karadimas’ own struggles with depression, as well as a growing disgust with institutionalized religion, the album grapples with questions of inner demons and external dogma. It doesn’t resort to tired anti-religious tropes but instead explores the institutional rot and spiritual manipulation from a psychological lens. It’s as much Death’s Spiritual Healing as it is Draconian Times, delivered with a distinctly Mediterranean bitterness.

Musically, NIGHTFALL walks a razor-thin line between melodic black metal and theatrical death-doom. The ferocity of tracks like “The Cannibal” and “The Traders of Anathema” is matched by their compositional sophistication. Guitarist Kostas Kyriakopoulos offers not only crushing riffage but also ornate solos, especially on “The Traders…”, where twin-lead flourishes soar above a churning sea of blast beats. Drummer Fotis Benardo (ex-Septicflesh) proves himself a rhythmic powerhouse, effortlessly shifting between cinematic grooves and full-blown blitzkrieg.

What truly elevates Children of Eve, however, is its sense of scale. Songs like “Inside My Head” and “For The Expelled Ones” employ doom-laden pacing, orchestral synths, and haunting female vocals to craft a cathedral-like atmosphere—gothic not just in tone, but in architectural weight. The production, helmed by Efthimis, Fotis, and Thimios Krikos (InnerWish), and finalized by Jacob Hansen, is as massive as the themes it supports. The sound is clean but not sterile, textured without becoming cluttered. Eliran Kantor’s stunning cover art only adds to the sense that this is a complete artistic vision, not just an album.

That said, Children of Eve is not without its imperfections. Tracks like “With Outlandish Desire to Disobey” stumble slightly with jarring transitions and underwhelming vocal phrasing compared to earlier cuts. And while “Christian Svengali” closes the album on a suitably epic note, it feels slightly eclipsed by the staggering emotional weight of its predecessor, “The Makhaira of the Deceiver”—arguably the album’s crowning achievement. A slow-burning, sorrow-drenched anthem laced with children’s screams and mournful synths, it distills the album’s message into one harrowing crescendo.

Still, these are minor detours on what is otherwise a compelling journey. In an era where many legacy acts become parodies of themselves or fade into irrelevance, NIGHTFALL defies the odds. Children of Eve is a reminder that pain, when transmuted through art, can be a powerful unifier—and a weapon of spiritual resistance.

NIGHTFALL may have emerged in the early ’90s, but in 2025, they sound not only alive but more vital than ever. This is their monumentum—blackened, battered, and beautifully human.

Line-up:

Efthimis Karadimas – Vocals
Kostas Kyriakopoulos – Guitars
Vasiliki Biza – Bass
Fotis Benardo – Drums

Production Credits
Recorded at Devasoundz Studios, Athens, Greece
Produced by Efthimis Karadimas with Fotis Benardo & Thimios Krikos
Engineered by Fotis Benardo & Thimios Krikos
Mixed & Mastered in Hansen Studios, Denmark by Jacob Hansen

Cover Art
Eliran Kantor

Art Concept
Efthimis Karadimas

Follow Nightfall
Official Website: http://www.nightfall.gr/
Instagram: https://www.instagram.com/nightfallband/
YouTube: https://www.youtube.com/@NIGHTFALL_band Facebook: https://www.facebook.com/nightfallband/
Spotify: https://open.spotify.com/artist/4W0Vom1cl6o3UCq8tTfRHV
Apple Music: https://music.apple.com/artist/nightfall/1369568685
Deezer: https://www.deezer.com/en/artist/76457
TIDAL: https://tidal.com/browse/artist/3521048
Bandcamp: https://nightfallofficial.bandcamp.com/
TikTok: https://www.tiktok.com/@nightfallband_gr

Metal Music Against Depression
https://www.eaad.net/blog/details/metal-music-against-depression

Available Formats:
Digital Download
CD Digipak
12″ Vinyl Gatefold – Black
12″ Colored Vinyl Gatefold – Bloody Mary (Transparent red, white and black marbeled)
12″ Colored Vinyl Gatefold – Lemon Ice Cream (White and yellow marbeled )