Pink Floyd, ‘Animals (2018 Remix)’: Album Review


The lawsuits, the interview insults, the offended pull-quote headlines over all issues Pink Floyd — it’s been miserable to observe Roger Waters and David Gilmour, the onetime yin-yang of an all-time nice rock band, consistently butt heads in public.

Part of that’s the fan worship speaking. Who wouldn’t favor the fairy story notion that each one ex-bandmates keep pals, preserving legacy above all else? But on this case, it’s additionally a sensible concern: A “new” remix of Animals, the band’s 1977 LP, was completed in 2018, however liner be aware disputes (sure, significantly) contributed to the challenge’s lengthy delay.

Ironically, the unique Animals supplied the final style of their artistic stability. Sure, you possibly can make argument for his or her 1979 follow-up, The Wall — an idea album virtually totally spearheaded by Waters — as Pink Floyd’s masterpiece. But Animals, at the least sonically, highlighted the old-school all-hands-on-deck spirit that outlined their ’70s peak.

Not to say the vibe was absolutely democratic. Gilmour (guitar and vocals) and Richard Wright (keyboards), who’d each made important contributions to The Dark Side of the Moon and Wish You Were Here, had been much less concerned this time round: Between the 2, they managed just one co-write (Gilmour on the 17-minute “Dogs”). Still, in contrast to The Wall, which frequently seems like Waters with elite backing, Animals is usually extra about ambiance and temper than typical songwriting anyway — Waters’ lyrical idea, evaluating human flaws to animal habits, creates underlying darkness that the musicians construct upon.

Gilmour by no means performed with extra bare aggression, from the gritty talk-box and funky slap bass of “Pigs (Three Different Ones)” to his syncopated acoustic strumming and harmonized leads on “Dogs.” Wright, whereas by no means as assertive as he was on Wish You Were Here, remains to be a grasp of texture: His glowing electrical piano intro to “Sheep” is essential to that monitor, creating a way of jazzy introspection that’s steadily uprooted and subverted over 10-plus minutes.

James Guthrie’s remix affords no main revelations — Animals, like most middle-period Floyd albums, was already good on a constancy degree. The alterations listed here are attention-grabbing however refined, modernizing the sound a bit: punchier drums and extra outstanding vocal results on “Pigs (Three Different Ones),” a extra pronounced dissolve from Waters’ shouted vocal into the swirling synth through the verses of “Sheep.” (One unusual alternative: The tasty little bass riff at 4:25 in “Dogs” sounds noticeably quieter.)

Fans will most likely argue the deserves of 1 model over the opposite. Fair sufficient, actually — it wouldn’t be a Pink Floyd challenge with no little drama.


Please enter your comment!
Please enter your name here


Strah Latest

Share post:


More like this